![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitc_Zz1gFawgtY3723ZSgn9z-SvyCF7rplFv7q8C0-SvVKHXtH8SDdipdtfm2EHn1F_OPMhKR_NwkWa2jGXrQOZF2XrOJmfnY3aFIepkP8Rn71qMTNA5cxAV9QVz1otxkqOP155YWLdX8/s320/lemon-slice-on-light.jpg)
The other difference is that the first one I sketched out with graphite and the second I painted directly on the canvas. I learned a lesson with this exercise - don't sketch with graphite, or at least heavy, dark graphite. It doesn't stay put on the canvas and when you add paint it blends and turns the colors muddy. I did kind of like how it showed through on the edges (like the cut lemon) so I might try sketching with a dark acrylic color just to see what happens. Acrylic dries really fast and won't bleed into the oil.
I like the composition of this, so I want to do a longer painting. I think I might like starting with the darker background - but I'm going to do one with a red toned background because I think that will give an interesting tone to the lemons and bowl.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXogAhpWoHt1ER3NSyehjtAdcGjHKh1fLYJhQRPlUXpjwys9mSALRo5K4C2OJQUe055jKSJI2T89deXORizgxdGvftlBYOseOC__G4NxFeSkW38ADwcxp4FaSZiPMKC1mgkPcJlQ42h5Q/s320/lemon-slice-on-dark.jpg)
The other thing I focused on here was holding to the tenet that I should put a paint stroke down and leave it - no blending if I can help it. I really have a hard time with that - but I was more successful on the second painting (dark background) - especially the bowl. I really like how that turned out.
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