Last May when I went to NY for Karin Jurick's workshop I spent hours roaming the city taking photographs. I took over a thousand pictures and whittled it down to about 500. I go back to them often for inspiration.
It was May but it was an incredibly hot afternoon and I was having a beer and fries (very nutritious and pre gluten intolerance diagnosis - aaahhh the memories) at Chelsea Pier and thoroughly enjoying every moment. I saw a woman sitting with her friends and I thought she was so beautiful and timeless in her bohemian, earthy way. I've been too chicken to paint her until now but now I am giving it a chance.
I haven't finished, so I'm going to show a few stages of the painting. One of the biggest struggles is that my paintings go through so many phases; I like many of those phases but then they are lost. I think really good artists recognize the "phase" as the place at which they should stop. I haven't gotten there yet.
This is what I did yesterday. First I sketched her with white watercolor pencil on black gesso. Then I thought it made sense to create her as negative space so I did the background first. I don't know where the background came from because it just sort of happened, maybe it was remembering the heat of the day. I do want to remember this kernel of whatever it is - this "phase" - because I think this is something I could work with in a future painting.
It was May but it was an incredibly hot afternoon and I was having a beer and fries (very nutritious and pre gluten intolerance diagnosis - aaahhh the memories) at Chelsea Pier and thoroughly enjoying every moment. I saw a woman sitting with her friends and I thought she was so beautiful and timeless in her bohemian, earthy way. I've been too chicken to paint her until now but now I am giving it a chance.
I haven't finished, so I'm going to show a few stages of the painting. One of the biggest struggles is that my paintings go through so many phases; I like many of those phases but then they are lost. I think really good artists recognize the "phase" as the place at which they should stop. I haven't gotten there yet.
This is what I did yesterday. First I sketched her with white watercolor pencil on black gesso. Then I thought it made sense to create her as negative space so I did the background first. I don't know where the background came from because it just sort of happened, maybe it was remembering the heat of the day. I do want to remember this kernel of whatever it is - this "phase" - because I think this is something I could work with in a future painting.
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